Wednesday, June 6, 2012

The Yellow Wallpaper Summary


The Yellow Wallpaper Summary
 
The narrator and her physician husband, John, have rented a mansion for the summer so that she can recuperate from a “slight hysterical tendency.” Although the narrator does not believe that she is actually ill, John is convinced that she is suffering from “neurasthenia” and prescribes the “rest cure” treatment. She is confined to bed rest in a former nursery room and is forbidden from working or writing. The spacious, sunlit room has yellow wallpaper – stripped off in two places – with a hideous, chaotic pattern. The narrator detests the wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery.
Two weeks later, the narrator’s condition has worsened. She feels a constant sense of anxiety and fatigue and can barely muster enough energy to write in her secret journal. Fortunately, their nanny, Mary, takes care of their baby, and John's sister, Jennie, is a perfect housekeeper. The narrator's irritation with the wallpaper grows; she discovers a recurring pattern of bulbous eyes and broken necks, as well as the faint image of a skulking figure stuck behind the pattern.
As more days pass, the narrator grows increasingly anxious and depressed. The wallpaper provides her only stimulation, and she spends the majority of her time studying its confusing patterns which, as she asserts, are almost as “good as gymnastics.” The image of the figure stooping down and "creeping" around behind the wallpaper becomes clearer each day. By moonlight, she can see very distinctly that the figure is a woman trapped behind bars. The narrator attempts to convince John to leave the house for a visit with relatives, but he refuses, and the narrator does not feel comfortable confiding in him about her discoveries in the wallpaper. Moreover, she is becoming paranoid that John and Jennie are also interested in the wallpaper and is determined that only she will uncover its secrets.
The narrator's health improves as her interest in the wallpaper deepens. She suspects that Jennie and John are observing her behavior, but her only concern is that they become obstacles to her and the wallpaper. She also begins to notice that the distinct "yellow smell" of the wallpaper has spread over the house, following her even when she goes for rides. At night, the woman in the wallpaper shakes the bars in the pattern violently as she tries to break through them, but she cannot break free. The swirling pattern has strangled the heads of the many women who have tried to break through the wallpaper. The narrator begins to hallucinate, believing that she has seen the woman creeping surreptitiously outside in the sunlight. The narrator intends to peel off the wallpaper before she leaves the house in two days.
That night, the narrator helps the woman in the wallpaper by peeling off the wallpaper halfway around the room. The next day, Jennie is shocked, but the narrator convinces her that she only stripped the wallpaper out of spite. Jennie is able to understand the desire to peel off the ugly wallpaper and does not tell John that anything is out of the ordinary. The next night, the narrator locks herself in her room and continues stripping the wallpaper. She hears shrieks within the wallpaper as she tears it off. She contemplates jumping out of a window, but the bars prevent that; besides, she is afraid of all of the women that are creeping about outside of the house. When morning comes, the narrator has peeled off all of the wallpaper and begun to creep around the perimeter of the room. John eventually breaks into the room, but the narrator does not recognize him. She informs him that she has peeled off most of the wallpaper so that now no one can put her back inside the walls. John faints, and the narrator continues creeping around the room over him.

The Yellow Wallpaper Shart story's summary


The Yellow Wallpaper
 
"The Yellow Wallpaper" is a 6,000-word short story by the American writer, Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working, and has to hide her journal from him, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency," a diagnosis common to women in that period.[2] The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house.
The story depicts the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw – not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper – the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell."[3]
In the end, she imagines there are women creeping around behind the patterns of the wallpaper, and comes to believe that she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. "For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way."[4]

"The Open Boat" veary shart summery


"The Open Boat" is a short story by American author Stephen Crane (1871–1900). First published in 1897, it was based on Crane's experience of surviving a shipwreck off the coast of Florida earlier that year while traveling to Cuba to work as a newspaper correspondent. Crane was stranded at sea for thirty hours when his ship, the SS Commodore, sank after hitting a sandbar. He and three other men were forced to navigate their way to shore in a small boat; one of the men, an oiler named Billie Higgins, drowned after the boat overturned. Crane's personal account of the shipwreck and the men's survival, titled "Stephen Crane's Own Story", was first published a few days after his rescue.
Crane subsequently adapted his report into narrative form, and the resulting short story "The Open Boat" was published in Scribner's Magazine. The story is told from the point of view of an anonymous correspondent, Crane's fictional doppelgänger, and the action closely resembles the author's experiences after the shipwreck. A volume titled The Open Boat and Other Tales of Adventure was published in the United States in 1898; an edition entitled The Open Boat and Other Stories was published simultaneously in England. Praised for its innovation by contemporary critics, the story is considered an exemplary work of literary Naturalism, and is one of the most frequently discussed works in Crane's canon. It is notable for its use of imagery, irony, symbolism, and the exploration of such themes as survival, solidarity, and the conflict between man and nature. H. G. Wells considered "The Open Boat" to be "beyond all question, the crown of all [Crane's] work".[1]

The Door in the Wall by Marguerite de Angeli, Yearling Newbery Award winner 1949 Summary:


The Door in the Wall by Marguerite de Angeli, Yearling Newbery Award winner 1949
Summary:
This is a story, set in Medieval England, of a young boy, Robin, who gets separated from his parents, and at the same time is taken by a crippling illness.
With the help of some friars who take him under their care, he learns to deal patiently with his disability. Robin is also taught to strive, with a sincere love of neighbor, to do his best for the common good. After many exercises and much attention, he gains the strength to walk with crutches. But the wise friar knows that a strong body is not enough. Little by little, Robin’s mind and soul are given a healthy workout. The friar constantly teaches Robin that without the use of his legs he can still do many things that merit honor and praise. He learns through the guidance of Brother Luke that a willing heart and a pure mind can perform good deeds. This boy truly strives for perfection once he is set on the right path.
This book takes on more of an adventurous flavor in the second half, as the boy, one monk, and a minstrel make a journey to a castle and end up by helping to save the place from an attacking army. At the end of the story, the boy is reunited with his parents.