Wednesday, June 13, 2012

Date Sheet Of Punjab Universty LLb Part I


The Date Sheet of L.L.b Part One from PU.
           

Paper               Subject                                                    Date & Day June 2012
1           Islamic Jurisprudence                                                   Friday 29th June, Friday
2           English Jurisprudence                                                   Wednesday4th July,
3          Constitutional Law-1                                                      Wednesday 9th July,
4          Law of Contract                                                             Monday 12th July,
5         Law of Torts and Easement                                            Thursday 17th July,
6        Criminal Law                                                                  Tuesday 20th July,
7        Language skills (English and Arabic)                             Friday 25th July, Wednesday

Wednesday, June 6, 2012

The Lady in the Looking-Glass Short Summary


The Lady in the Looking-Glass
Virginia Woolf was a literary great for either gender (1222), but she also wrote much on sexual politics. Shut out of an education due to her sex and having a mother whose main profession was her beauty, she grew up in a world with very distinct gender definitions. “The Lady in the Looking-Glass: A reflection” taps into this. I have long thought “people should not leave looking-glasses hanging in their rooms” (1224). It causes unnecessary attention to one’s physical appearance. That becomes the focal point of this story’s character’s existence. She is unhappy with her inside and outside appearance. This becomes clear through the modern tools of stream-of-consciousness, narration and character. As in the other works I just touched on, all the emphasis is on the character (hence the stress on psychological components). The mirror just serves as a metaphor. The reader discerns that there might be a split of self. It’s questionable whether the woman really is the Isabella that she’s said to be or just Virginia. There are differences between what the house looks like in real life and then within the mirror. There is light. There are shadows. Woolf even incorporate animals! As everything changes, one can gather that Woolf is making a point that life itself is fluid. It is always game for change. That isn’t to say that one must change with it, though. The reader is told that the interior remains the same throughout it all. I interpret this to mean that one can remain the same throughout it all. What matters is that he knows himself and stays true to that. I try to do that as much as possible, but what’s important to bear in mind is that mirrors only sow so much. They can’t reveal whether someone’s blood is boiling or heart is breaking. On the surface everything might just look fine, but that doesn’t mean anything. I know I’ve spent so much of my life being an illusion—not because I’m unafraid to be myself but because I don’t want to burden people with my problems. My friends found out stuff about me which had occurred at the beginning of the year at the very end of the year, and they couldn’t believe I hadn’t said anything. One friends went so far as to make her facebook status, “Sometimes the best actors you’ll ever know are the people right around you.” Sadly, that is so true. Luckily, I have still disclosed details of them when would have made them angrier with me because they care so much. Too much, really! But my point is appearances can be deceiving. Everyone who knows me realizes I’m not a single stereotype that typically would come to mind. Premature judgments only cause me to laugh. Woolf is really inspirational and philosophical to touch upon this. Somebody had to, and she nailed it.

The University of Adelaide Library eBooks

http://ebooks.adelaide.edu.au/

How It Happened Shart Summary


How It Happened
 
The story is written in the first person; the narrator is a man who is met at the beginning of the story by his chauffeur, Perkins, at half-past eleven at the "little country station" while coming back from London. He wanted to try his new car, which had been delivered that day. He was warned that the gears were not of the same type he is used to but he insisted on driving. They "were just over the brow of" Claystall Hill, "one of the worst hills of England", when he lost all control on the speed of the car. He tried to bring the car back to his house "wheels whirring like a high wind" and did not jump even when advised to do so by Perkins. In the end, he managed to reach home but crashed into the park gate. The story ends with Perkins having injured his leg and the narrator meeting a dead friend, Stanley, implying that he himself died in the accident.
A central theme in this story is loyalty and companionship; the chauffeur, Perkins, offers to take control of the car, which would have allowed the narrator to jump from the vehicle. However, the narrator refuses to leave his chauffeur behind and remains in the car until the end, even offering to take the wheel himself and allow Perkins to jump.

The Yellow Wallpaper Summary


The Yellow Wallpaper Summary
 
The narrator and her physician husband, John, have rented a mansion for the summer so that she can recuperate from a “slight hysterical tendency.” Although the narrator does not believe that she is actually ill, John is convinced that she is suffering from “neurasthenia” and prescribes the “rest cure” treatment. She is confined to bed rest in a former nursery room and is forbidden from working or writing. The spacious, sunlit room has yellow wallpaper – stripped off in two places – with a hideous, chaotic pattern. The narrator detests the wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery.
Two weeks later, the narrator’s condition has worsened. She feels a constant sense of anxiety and fatigue and can barely muster enough energy to write in her secret journal. Fortunately, their nanny, Mary, takes care of their baby, and John's sister, Jennie, is a perfect housekeeper. The narrator's irritation with the wallpaper grows; she discovers a recurring pattern of bulbous eyes and broken necks, as well as the faint image of a skulking figure stuck behind the pattern.
As more days pass, the narrator grows increasingly anxious and depressed. The wallpaper provides her only stimulation, and she spends the majority of her time studying its confusing patterns which, as she asserts, are almost as “good as gymnastics.” The image of the figure stooping down and "creeping" around behind the wallpaper becomes clearer each day. By moonlight, she can see very distinctly that the figure is a woman trapped behind bars. The narrator attempts to convince John to leave the house for a visit with relatives, but he refuses, and the narrator does not feel comfortable confiding in him about her discoveries in the wallpaper. Moreover, she is becoming paranoid that John and Jennie are also interested in the wallpaper and is determined that only she will uncover its secrets.
The narrator's health improves as her interest in the wallpaper deepens. She suspects that Jennie and John are observing her behavior, but her only concern is that they become obstacles to her and the wallpaper. She also begins to notice that the distinct "yellow smell" of the wallpaper has spread over the house, following her even when she goes for rides. At night, the woman in the wallpaper shakes the bars in the pattern violently as she tries to break through them, but she cannot break free. The swirling pattern has strangled the heads of the many women who have tried to break through the wallpaper. The narrator begins to hallucinate, believing that she has seen the woman creeping surreptitiously outside in the sunlight. The narrator intends to peel off the wallpaper before she leaves the house in two days.
That night, the narrator helps the woman in the wallpaper by peeling off the wallpaper halfway around the room. The next day, Jennie is shocked, but the narrator convinces her that she only stripped the wallpaper out of spite. Jennie is able to understand the desire to peel off the ugly wallpaper and does not tell John that anything is out of the ordinary. The next night, the narrator locks herself in her room and continues stripping the wallpaper. She hears shrieks within the wallpaper as she tears it off. She contemplates jumping out of a window, but the bars prevent that; besides, she is afraid of all of the women that are creeping about outside of the house. When morning comes, the narrator has peeled off all of the wallpaper and begun to creep around the perimeter of the room. John eventually breaks into the room, but the narrator does not recognize him. She informs him that she has peeled off most of the wallpaper so that now no one can put her back inside the walls. John faints, and the narrator continues creeping around the room over him.